Tag archives: inclusion

Wednesday, 16 October 2019

Recent research and articles about children’s reading

book boat - St Andrews CE Primary Kettering

Many thanks to St Andrews CE Primary Kettering for permission to use this photo of their lovely book boats. Such a great idea, and perfect to illustrate my latest round-up of children’s reading news and articles.

Dawn Finch has written a valuable piece on the meaning and importance of reading for pleasure and ways to nurture it in libraries and schools.

Teacher Heather Wright suggest five ways to instil a love of reading in primary schools.

In another article she posits that reading for pleasure should be at the heart of the curriculum, and that quality books are a must, not a luxury.

‘Reading Corners: Effective?’ explores the value of reading corners in the context of creating a culture of reading.

A new study finds that a home environment that supports language development in early childhood predicts children’s readiness to learn in pre-school, which in turn predicts academic skills at 10-11.

Research suggests that language development in infancy is influenced differently by well-educated mothers and fathers, even though they read to their young toddlers in broadly similar ways.

‘Why Some People Become Lifelong Readers’, an article from the USA, suggests that much depends on how parents present the activity of reading to their children.

Recent research shows that targeted reading interventions in small groups can help to close the disadvantage gap for primary pupils, while whole-class approaches had little impact.

‘Children’s Reading With Digital Books: Past Moving Quickly to the Future’ is a useful survey of research on the topic, with suggestions for good practice.

An Australian article explores ways to get the most out of silent reading in schools.

The latest ‘Reflecting Realities’ survey into ethnic representation in UK children’s literature has been released, and it paints a depressing picture.

Jennifer Holder of Liverpool Learning Partnership has put together a useful padlet to support educators in exploring issues of diversity and inclusion in children’s and YA books.

Mat Tobin has produced some great tips on building a diverse and multicultural bookshelf and on becoming a ‘culturally responsive teacher’.

Thursday, 1 November 2018

Equal Play: What does gender equality look like in childhood?

Equal Play 1The Mayor of London’s Equal Play conference was fascinating and important. (And how lovely to see children’s toys in the Council Chamber of City Hall!) These were some of the most significant take-aways for me:

  • children’s brains are not gendered by nature, and are malleable
  • gender stereotypes are pervasive and set in even before birth: expectant parents speak differently to babies in the womb according to gender
  • children are treated differently at home, in settings and in schools according to gender, both in terms of language used and what they are praised for
  • children are surrounded by messages about how they should be and these are overwhelmingly gendered
  • gender stereotypes are more pervasive now than they were a generation ago
  • ads targeted at girls use words like magic, princess, beautiful; those aimed at boys use words like power, battle, adventure
  • the collective impact of gendered marketing, language, attitudes, clothing, books, toys etc limits girls’ aspirations, confidence, self-image, career choices, earning potential
  • gender stereotypes limit boys too and fuel toxic masculinity
  • the UK is one of the worst countries in Europe in terms of the numbers of women in STEM careers
  • society needs both boys and girls to become tomorrow’s problem-solvers
  • encouraging girls into STEM subjects is critical for our future
  • play is a vital first part of this
  • inclusive toys, books and clothing enable children to see and explore a range of options
  • gender-neutral attitudes, language, and marketing can reduce the negative impact of stereotypes
  • manufacturers and advertisers need to adopt gender-neutral approaches
  • the Advertising Standards Agency is changing its rules to limit gender-stereotyped advertisements
  • campaigning by Let Toys Be Toys, Let Books be Books and others is making a difference
  • increasing numbers of manufacturers, publishers and retailers, including big names such as Boots and John Lewis are adopting less gendered approaches
  • London has a new Gender Action Award to encourage schools and pre-schools to put gender equality at the heart of all aspects of school life
  • there is a very long way to go
  • we all need to foreground gender equality in our professional lives

We heard from inspiring speakers throughout the day, not least Sam Smethers, CEO of the Fawcett Society, Gina Rippon, Professor of Cognitive Imaging, Rosie Rios, the 43rd Treasurer of the US, Olivia Dickinson of Let Toys Be Toys, Shaddai Tembo, founder of Critical Early Years. Who had the most galvanising impact? Without doubt the Science Leadership Team from Gillespie Primary School. These children made their resentment of gender-stereotyped products and marketing very clear. Why do all girl dolls have long hair? Why when they go into bookshops are the boys directed to science books and the girls to fairy stories? Why should they feel judged when they go into toyshops? Yes indeed. Why?

Tuesday, 10 July 2018

Inspired by India

Inspired by India 2Lantana Publishing held an illuminating and thought-provoking event at the Nehru Centre in London last week, inspired by two of their recent picture books: You’re Safe With Me, written by Chitra Soundar, illustrated by Poonam Mistry and Nimesh the Adventurer, written by Ranjit Singh, illustrated by Mehrdokht Amini.

The authors and illustrators each told us about factors that influenced them. Chitra’s love of story-telling dates back to her early childhood in India. She remembers hearing stories from a very young age. Enid Blyton, particularly The Magic Faraway Tree, inspired all the stories she told her friends and relations.

Poonam, also born in India, was always fascinated by Indian folk art, with traditional textiles a particular inspiration. Aboriginal art has been another major influence on her style of illustration, along with the art of William Morris.

Born and raised in Southall with parents from India, Ranjit said his real education came from the local library, his haven when truanting. Japanese and Bengali film directors, Shakespeare and Sanskrit epics taught him how to tell stories.

Mehrdokht’s interest in books goes back to her childhood in Iran. Her mother taught literature. She fell in love with illustration when an art teacher asked the children to illustrate a children’s story. She chose one of Andersen’s tales.

Both You’re Safe With Me and Nimesh the Adventurer have been extremely well received within the children’s book world, and more importantly by children themselves, both in the UK and internationally. We heard that huge numbers of parents in India want books in English that feature children with lives like theirs.

Alice Curry of Lantana asked the panel their views about ‘the diversity label’ and whether they felt pressure to reflect their backgrounds in their work. All had experienced such pressure, and all agreed that the label is limiting and unhelpful (although Ranjit pointed out its marketing value). Chitra told us she gets more rejections for books without Indian characters, and that publishers frequently request Indian folk tales. Poonam and Mehrdokht were united: ‘We are illustrators. We should not be defined by our ethnicity or religion.’ Alice said Lantana never imposes limits on their authors and illustrators. How refreshing to hear that Chitra and Poonam’s next picture book for them is set in the Arctic.

This piece was written for Armadillo Magazine.

Wednesday, 18 April 2018

Mind the Gap: Celebrating Authentic Inclusion

One & StrikerMind the Gap: Celebrating Authentic Inclusion was a fascinating and important a discussion hosted by Inclusive Minds and IBBY UK at the London Book Fair. Authors Sarah Crossan and Peter Kalu joined inclusion ambassadors Emily Davison, Heather Lacy and Megan Bane to explore representations of disability in children’s literature. Portrayals in the past were rare and where they existed were often negative. The Secret Garden was not the only book with an underlying message that disabilities could be cured with positive attitudes, fresh air and exercise. The ambassadors spoke of the distress this caused them as children with disabilities that did not go away. The panel agreed that the situation is improving but that there is still a long way to go. Publishers often think children will be put off by characters with disabilities, but it’s not the case. Children are very open-minded.

More nuance and understanding about disabilities is needed. For instance visually disabled characters in children’s books are almost all totally blind, whereas in real life the vast majority have some sight. Sensitivity readers can help authors with authenticity. Depicting every character with a disability as good and/or inspirational is neither authentic nor helpful. Children with disabilities need books that show them ‘it’s OK to be you’.

A character’s disability should not be the main element of any book. Many readers of Crossan’s YA novel One, a sensitive and deeply moving story about conjoined twins, are so gripped by the plot and the characters that they forget the twins are disabled. She never knows whether that’s a good thing or not. She did a huge amount of research before writing the book, and found she had to get rid of her own prejudices. It had not occurred to her that conjoined twins would want to stay together. In Kalu’s book The Silent Striker the main character’s increasing hearing loss is an important part of the plot, but far from the first thing the reader knows about him or the key issue they care about. Because Kalu himself has hearing loss the portrayal is very natural. (Having recently reviewed the book for The School Librarian, I can vouch for this.)

It was useful to be reminded of the IBBY catalogue of outstanding books for young people with disabilities. These were the UK books nominated in 2017. The asterisked titles were included in the international list.

Ian Beck, Grey Island, Red Boat
Cece Bell, El Deafo
Anne Booth, Girl with a White Dog
Holly Bourne, Am I Normal Yet?
Tim Bowler, Game Changer
Sita Brahmachari, Car Wash Wish
Cocoretto, Getting Ready
Cocoretto, Off to the Beach
Sarah Crossan, One *
Vanessa Curtis, Baking Life of Amelie Day
Susie Day, Pea’s Book of Holidays
DK Braille, Counting *
DK Braille, It Can’t be True *
Amber Lee Dodd, We Are Giants
Julia Donaldson, What the Jackdaw Saw
Mary Hoffman, Great Big Book of Feelings
Kim Hood, Finding a Voice
Pete Kalu, Silent Striker
Gill Lewis, Scarlet Ibis
Cammie  McGovern, Amy and Matthew
Gemma Merino, The Crocodile Who Didn’t Like Water
Ann Rand, What Can I Be
Jackie Wilson, Katy

Wednesday, 7 March 2018

Supporting children with learning difficulties in museums and libraries – useful websites, blogs, case studies and videos

ss GBI loved giving training on special educational needs at the fabulous ss Great Britain earlier this week. I give lots of courses on supporting children with learning difficulties for people working in museums and other cultural and heritage organisations, and lots for library staff too. It’s one of my favourite (and most frequently requested) training topics. I feel very passionate about inclusive provision.

I have found the following websites, blogs, case studies and videos useful and illuminating, and it occurs to me that others might too.

ABC of Working with Schools: Special Educational Needs
Asperger, Heritage and Archaeodeath
Astro Plane Force
Autism-Friendly Game Masters
Autism-Friendly Libraries
Autism in Museums
Autism in the Museum
Bag Books in Kent
Chatterbooks for Children with Dyslexia
Dimensions Autism Friendly Libraries Training Video for Library Staff
Disability Co-operative Network for Museums
Engaging Children with Special Educational Needs in Creative Experiences and Art 
Five Things I’ve Learnt About Accessibility
Going to a Museum
How Can Your Museum Better Welcome Families and Young People with Autism?
How Heritage Embraces Autism
Inclusive Galleries and Museums for Visitors with Special Needs
Kent Dyslexia Friendly Libraries
KidsHub Library Sessions
Making Museums Autism Friendly
Manchester Art Gallery Open Doors
Museum of Childhood Quiet Days
Museum of Childhood Visiting with an Autistic Child
Orleans House Gallery Octagon Club
Secret Museum: Film Production with Autistic Young People
See Dyslexia Differently
Sensitive Storytimes
Supporting Children and Young People with Special Educational Needs
Tom’s Tall Ship of Stories
Top 5 Autism Tips for Professionals: Autism-Friendly Museums
Working with Special Needs in an Art Gallery